If you’re a photographer that despises Off-Camera-Flash (OCF), this blog post is for you! Ugh. I feel you. I used to hate it too… and it honestly still isn’t my favorite but it’s necessary in order to rise in your professionalism on wedding days after dark!! Off camera flash seems intimidating when you’re trying it for the first time.
It requires you to control and understand light in a new way. Instead of not having control over the light source (you can’t change the sun!), you are now in charge of everything about the light source! From placement to power to height to direction…. It’s all up to you! It can be a lot to future out but today, I’m sharing some information about how to setup and properly use ONE off-camera flash during your receptions!!
If you’re not using OCF, chances are… your images from receptions look somewhat like this…..
Dark background
Flat and dull
Just kinda…. Blah.
But with just ONE Off Camera Flash and some basic flash setting knowledge, you can transform your reception shots to look more like this!! :
When you’re using Off Camera Flash, the first thing you have to do is recognize that there is a system for setting it up!
Now, this is just ONE of the setups that I recommend when using just ONE Off-Camera-Flash!
This is the setup that I recommend for specialty dances (not party-dancing!). This is important to pay attention to! If you want to hear my setups with ONE OCF for cake-cutting and toasts and party-dancing, I’m explaining it all in this YOUTUBE EPISODE!! (link)
Ok, so for the first dance, father/daughter and mother/son dances, here is what I recommend:
When I’m setting up my one-CFP setup, I am normally doing it on the dance floor and I’m deciding what I want in the background. Unlike shooting outdoors with natural light, I have CONTROL over where the light source is going to come from! So I normally choose to have my background free of the DJ and his equipment.
This is important! You don’t want your flash in the background of your shot, we are using your OCF to expose the FRONT of your subjects. Your on-camera bounce card will provide some extra light but the main light source is your OCF placed 45 degrees from you to your couple!
This is the technical part that gets a little tricky! I explain it more in-depth in this Youtube video! Overall, I don’t want a crazy amount of flash power coming from my one OCF. If it’s too powerful, my clients will be over-exposed and if I try to adjust my camera settings to fixed the over-exposure issue, the background will literally become black and dark! Not good! So, I prefer a lower flash power (1/64 is a good place to start) and a higher ISO! This allows the flash hitting my couple to be softer and the background glow to show up! I also recommend not shooting higher than a 2.8 aperture with this setup!
There is so much more to share! If you want more OCF insight and education, here’s a 14 minute Youtube Video that breaks down what I just shared and much more!!
In this Youtube Video you’ll find:
Enjoy and if you want to watch me shoot a REAL WEDDING day for FREE, click HERE!!! This is an amazing opportunity to what this FLASH education in action in a real situation! KJ All Access as been called “A Visual Learner’s DREAM!” CLICK HERE!
This is going to go down as the wedding day were we got lucky over and over again. Blair and Ashley heard that there was a chance of rain on their wedding day but we all wrote it off as nothing and kept moving on with all of our original plans.
In the fast-paced world we live in, finding purpose and intention in everyday life can feel like a distant goal. Whether you’re an entrepreneur, a parent, a creative, or simply someone searching for more meaning, this probably resonates with you! If you’ve been a longtime follower of the Katelyn James podcast, you know it’s always been about authenticity, growth, and family. So, we wanted the podcast to represent just that. Welcome to Doing Life Differently!
Who doesn’t love the sparkler exit photo as the couple is sent off after their wedding?! It’s a classic! However, the traditional sparkler exit can often lead to challenges that can easily be avoided. This is where the concept of a controlled sparkler exit comes in!
It’s hard to believe that I upgraded to the Canon R6 four years ago! It’s the backbone of my photography, and while it’s been a loyal companion, I’m at a point where I have to ask: is it time for an upgrade? This question comes up a lot, especially from photographers who bought the R6 when it first launched, and many are wondering if the Canon R6MkII is worth the investment.
I am so excited to share today’s Podcast with you!! You will get to hear a powerful conversation I had with my good friend Graham Cochrane!
Some images are good, but others really DRAW you in and make you say WOW! But what are the factors that make an image stand out so much?